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Dezeen
Miami Art Deco Informs Design Of Dominican Republic Baseball Academy
US studio Jones Haydu and Dominican studio JMF Arquitectos have created a baseball complex with a winged concrete form for the Miami Marlins Major League Baseball team in Boca Chica, Dominican Republic. The academy is separated into two primary buildings: a 24,795-square foot (2,300-square metre) athletic and administration building and a 42,139-square foot (3,915-square metre) dormitory and classroom building, separated by the playing fields. All 30 Major League Baseball (MLB) teams have a player academy in the Dominican Republic, due to the country's status as the largest contributor of non-US-born players to the league. The academies train players between the ages of 16 and 20, who compete in the Dominican Summer Leagues. As the closest MLB city to the Dominican Republic, the Miami Marlins purchased a property in Boca Chica and contacted San Francisco-based Jones Haydu and Santo Domingo-based JMF Arquitectos to develop an 83,118-square-foot (7,720-square-metre) academy complex that feels like a campus for student-athlete life. Sharing a similar climate as Miami, the Dominican Republic facility was "inspired by the lines of the art deco movement in some of the oldest neighborhoods of Miami," the team said. "The entry sequence of the facility, from the curved gate and main facade, echoes many of the grand hospitality structures of Miami, like the Fontainebleau, which often utilize a very solid facade wall which opens to a grand lobby." The buildings are set opposite of each other, divided by two baseball fields – that accommodate the two teams that the Marlins field – and a central lawn. The centre of the residential building is a large, partially covered courtyard with a Spanish-stair amphitheatre and gathering space, shaded with open rises, that allow for the island breeze to flow through. The courtyard is flanked by a large dining hall, recreation rooms, classrooms, a computer lab, and a chapel set into two stories divided by a deep concrete floor plate that extends outside the building's perimeter to form a covered walkway and deck that wraps around the building. "The clean lines and slight layering of the roof echo the art Ddco style while allowing for light and ventilation deep inside the buildings." The learning and recreation spaces are lined with floor-to-ceiling windows in black metal frames and white walls, contrasting the Marlins' teal blue paint that coats the ceilings and soffits. The wings of the T-shaped plan consist of two floors of residential dormitories — the players and coaches live on the top floor, whereas on-site and visiting staff live on the ground floor. On the other side of the complex, the athletic and administration building is designed for state-of-the-art training. The centre of the plan holds a double-height gymnasium, a training room, hydrotherapy, physical therapy spaces, offices and a large conference facility under a large concrete roof, wrapped in glazing. The wings of the building house locker rooms for players and coaches – which have tall ceilings and clerestory windows to help dissipate the heat and moisture of the showers – coaches' conference facility and equipment storage. The complex also features a third practice field, 10,140 square feet (940 square metres) of batting cages, 2,110 square feet (196 square metres) of grandstands and 3,935 square feet (365 square metres) of accessory space. Other projects recently completed in the Dominican Republic include a yellow elementary school interior centred around a playful tree structure and a temporary rattan tunnel constructed for the Bacanalia music festival. The photography is by Matthew Millman. Project credits: Design Architect: jones | haydu, Hulett Jones, Paul Haydu, Aaron Goldman, Kate Sistek, Kyle EdmisterArchitect of Record: JMF ArquitectosContractor: Hermida y AsociadosStructural Engineer: Guillen Rosa & AsociadosElectrical Engineer: Cadelec, S.R.L.Plumbing Engineer: CoydisaGlazing system: VantaExterior Sconces: Marca MordenCarpeting: Shaw ContractTile: MerkavenMetal Roofing: AluzincGrandstand seating: Daplast CR4Vinyl Composition Tile: Armstrong ExcelonAcoustic Ceiling Tile: ArmstrongOperable Partitions: ModercoSanitary Fixtures: Helvex, American Standard, TotoAir Conditioning Equipment: York
stadium
Jan 07, 2025
Dezeen
Hok And Snow Kreilich Raise Thin Canopy Above St Louis Soccer Stadium
Global design studio HOK and Minnesota-based Snow Kreilich Architects have teamed up to create the Citypark urban sports campus and stadium for a Major League Soccer club in St Louis, Missouri. Designed for the St Louis City Soccer Club, Citypark spans 25.5 acres in the heart of downtown St. Louis, near the iconic Gateway Arch and Mississippi River. "[The venue] shifts the MLS stadium narrative from an enclosed singular space divorced from the city to a public space that brings together all of St Louis to be part of a civic soccer experience," the team said. Completed in November 2022 by HOK and Snow Kreilich Architects, the complex includes a 22,500-seat stadium, team headquarters and a practice facility, and has a structural system made primarily with recycled steel. The stadium was built on a former freeway off-ramp and parking lot with an elevated topography that allowed the pitch level to be set 17 feet (5.1 metres) below the street-level concourse and minimised the height of the building in relation to the surrounding buildings. The team submerged the operations and support spaces below grade – accessed by tunnels and buried loading docks – to create a 360-degree seamless fan experience that connects to the surrounding street grid. The ground level of the rectangular stadium is enclosed with light-grey masonry and glass that allow views both into and out of the venue. Additionally, an elevated upper concourse wraps around the building with a drink rail along the facade, opening the stadium to the gameday festivities on the exterior of the stadium. A 120-foot wide, portico-like canopy is supported by two rows of columns – an inner row of robust, compressed columns and an outer row of delicate, tensile columns – to balance above the steeply raked concrete seating bowl. "It acts as a front porch to the city and creates connections between the city and the activity of the stadium," said HOK. While providing shade to fans and amplifying the sound of cheering, HOK and Snow Kreilich Architects wanted to create a modernist structure reminiscent of the Gateway Arch. "Citypark exhibits a seamless fusion of structural engineering and architectural design," said the studios. "Through a coordinated system that features steel in a variety of ways, the structural engineering complements the architecture, creating open, interconnected spaces and fluid exterior forms." Lightweight spanning trusses were combined with an invisible lateral system that concealed the seismic bracing. Meanwhile, the canopy's shallow cantilever is supported by an outrigger system and varied beam sizes that allow the edges of the canopy to look thinner. The venue opened its inaugural season in 2023, billing itself as a "zero-waste venue: with 100 per cent recycled structural steel – that can be disassembled and reused – low-energy LED lighting, low-flow water fixtures, and a high-efficiency building control system. "The urban stadium is connected to and focused on the City as much as it is on soccer," the team said. An additional 17,000-square foot (1,580-square metre) flexible indoor event space sits in the centre of the complex, offering views into the pitch to the north, practice fields to the south, and the Mall to the east. Meanwhile, a 70,000-square foot (6,500-square metre) outdoor space on the eastern side of the complex provides public infrastructure for civic events, food, and performances – further connecting the stadium to the context. Other professional sports facilities that HOK is currently working on include Major League Soccer's first fully electric stadium for New York City Football Club in Queens and a renovation for the National Football League's Jacksonville Jaguars stadium with a fritted dome in Florida. The photography is by Michael Robinson. Project credits: Client: St. Louis CITY SCDesign architect: HOKDesign architect: Snow Kreilich ArchitectsArchitectural support: KAI EnterprisesArchitectural support: WA, IncLandscape architect: HOKLandscape architecture Support, Irrigation: DG2 DesignTurf design: Kimley-HornConstruction manager: MAK Joint Venture (Mortenson Construction, Alberici Construction, Keeley Construction)Steel fabricator: Hillsdale FabricatorsSteel detailer: Esskay Structures IncSteel erector: Alberici Constructors, IncOwner's representative: Kwame Building Group + Unlimited PartnersStructural engineer: HOKCivil engineering and structural engineering support: David Mason & Associates, IncMEP engineering, fire protection & technology: ME EngineersPlumbing engineering support: Custom EngineeringSustainability consultant: HOKInterior design: HOK + Snow Kreilich ArchitectsArchitecture/interiors support, FF&E: ArcturisSignage & wayfinding: Kiku Obata & CompanyLighting designer: ME EngineersCode: Code Consultants, IncWind studies: CPP IncAccessibility: Ed Roether Consulting, LLCTechnology design support: Faith Group, LLCFood service: S20 Consultants, IncVertical transportation: Van Deusen & Associates, Inc
stadium
Nov 13, 2024
Dezeen
Cca Shades Mexican Baseball Stadium With Concrete Umbrellas
Mexican design studio Centro de Colaboración Arquitectónica has created a series of buildings in Jálpa de Mendez, Mexico, centred around a sports complex and baseball stadium shaded by monumental concrete umbrellas. The design of the stadium and surrounding complex was completed in 2023 to revitalize public life in Jálpa de Mendez and "renew the city's most representative public spaces". Led by Bernardo Quinzaños of Centro de Colaboración Arquitectónica (CCA), the sports-centred project has two main buildings, the stadium and a rectangular sports hall, called Estadio Manuel Vargas Izquierdo and Polideportivo de Alto Rendimiento, respectively. The baseball stadium is defined by ten large umbrellas made with exposed concrete. A series of tubular tensioners in a rust colour support the umbrellas from below and rise into pyramidal-shaped lattices above. The heavy umbrellas shade the raked concrete stands, which stack up in chunky seating and standing platforms while ramping down to sidewalks that offer universal access to the whole complex. Red metal gates and railings add a delicate, coloured texture to the monumental form. Underneath the stands, a colonnade extends out, forming a covered corridor that connects to the multi-sport complex. The colonnade turns back on itself to form a rounded triangular court with a sculptural concrete bench to hold the corner of the property. The team remodelled the existing courts and service areas and added a new building with basketball and volleyball courts – marked with bright blue and green surfaces – and martial arts studios for karate and judo. Outside, CCA added a skate park and children's play area. The sports complex was constructed with exposed concrete brackets supporting a steel truss structure. The wide, squared-off brackets jut out from the perimeter of the building and fold down to form a double-height loggia along the side of the sports complex. A smaller row of columns splits the concourse in half and eases the transition from exterior to interior. "This structure creates shaded areas and open spaces, allowing users to participate in activities comfortably, regardless of the weather," the team said. A second-storey screen made from small, grey square concrete blocks brings light and air into the double-height sports complex from every direction and negates the need for air conditioning with cross-ventilation in the large space. The orange-toned concrete references the regional quarry stone that marks the main arcade of the city's historic centre. The material was selected for its ability to reflect the climate's heat and prevent moisture accumulation. Additionally, the complex features a white, reflective sawtooth roof, rainwater collection and rainwater harvesting systems. Recently, CCA constructed a wooden pavilion around orchid cultivation at Casa Wabi in Puerto Escondido and built a nearby community centre with a central arched colonnade featuring the same orange-toned concrete as the Polideportivo de Alto Rendimiento and Estadio Manuel Vargas Izquierdo. The photography is by Jaime Navarro. Project credits: Architect: Bernardo QuinzañosTeam: Andrés Suárez, André Torres, Miguel Izaguirre, Javier Castillo, Carlos Cruz, Gabriela Horta, Florencio de Diego, Lorenza Hernández, Mara Calderón de la Barca, Norma Mendoza, Jair Rodríguez, Santiago Vélez, Begoña Manzano, Fernanda Ventura, Victor ZúñigaClient: SEDATU, Municipio de Jalpa de MéndezBuilder: CLAVE. Luis Trinidad, Eber Castellanos Ramos, Erick Álvarez Aguilar, Tirso Cuesta Guillen. TRASGO. José Fernando Orozco González, Gerardo González Gutiérrez, Eber Castellanos Ramos
stadium
Oct 10, 2024
Dezeen
"Proud Mancunian" Norman Foster To Create Manchester United Stadium Masterplan
English football club Manchester United has appointed Foster + Partners to created a masterplan for the redevelopment of the land surrounding its Old Trafford stadium in Manchester, UK. The football club is set to redevelop the site to create "a world-class football destination", ahead of plans to redevelop the stadium, which is the largest in the Premier League. It announced that Foster + Partners, which is led by Manchester-born Norman Foster, will create the masterplan. "As a proud Mancunian, I am passionate about the chance to rebuild on Manchester's great industrial heritage, creating a vibrant new mixed-use community, served by highly sustainable and improved transport links, providing homes and jobs for the local community, all catalysed by a world-class stadium for the world's most famous football team – Manchester United," said Foster. "We have a clear vision" The masterplan will focus on around 100 acres of land around the stadium in the west of Manchester, which suspends two sides of a canal and is largely used for car parking and warehouses. According to the club, the plan is to create a mixed-use development that will "benefit the local community, attract new residents, increase job provision". "We have a clear vision to transform and revitalise the club-owned land around Old Trafford and we know that Foster + Partners is the best partner to help us develop the plans," said Manchester United chief operating officer Collette Roche. "This is an area of Greater Manchester ready for major new investment so that it can thrive once more, and we are determined to help deliver those outcomes, " she continued. "We want this area to become a true destination, that not only provides an unbeatable matchday experience for our fans, but also supports other forms of entertainment, leisure, business and residential facilities surrounding a world-class stadium." The stadium will form the centrepiece of the redeveloped area; however, its design will be determined after the masterplan is created. The club has not yet determined if it will revamp the existing stadium or aim to create a new venue on the site. Old Trafford has been the home of Manchester United since 1910. It has been redeveloped and expanded numerous times, most recently in 2006, and has a capacity of 74,310, making it the largest stadium in the Premier League. It is the second largest stadium in the country behind Wembley Stadium in London, which was designed by Foster + Partners and stadium specialist Populous. Populous previously carried out a feasibility plan for the redevelopment of the Old Trafford stadium and surrounding land. Foster + Partners is already working on the redesign of the men's first-team building at the Carrington training complex for the club. The lead photo is by HonorTheKing.
stadium
Sep 23, 2024
Dezeen
Trahan Architects Restores Superdome To Be "Microcosm" Of New Orleans
Local studio Trahan Architects has finished an interior renovation of the Caesars Superdome in New Orleans, completing a series of renovations launched after Hurricane Katrina that it claims will extend the stadium's life by 25 years. Trahan Architects' work on the interior is the latest upgrade since the studio was engaged on the Superdome restoration in 2005, after it was damaged by Hurricane Katrina. The building sheltered as many as 20,000 thousand people fleeing the storm. The Superdome was originally completed in 1975 by Curtis and Davis Associated and featured a dome and concave cylindrical facade clad with aluminium panels. After Hurricane Katrina, Trahan Architects implemented an overhaul of the exterior, replacing all the panels with a rainscreen system made from anodized aluminium metal panels. The current phase of the renovation, which was completed in time for its first game of the NFL season, included the removal of the ramp circulation system on the concourse. This allowed for concessions to be pushed to the outside of the structure, as well as for the installation of atriums in the entry programs and for lounges to be installed. In total, the renovation opened up more than 100,000 square feet (9,290 square metres), according to the studio. The removal of the ramps allowed for more shared spaces and circulation, according to the studio, which modelled the concessions and circulation on the community-oriented streetscapes of New Orleans. "With this interior overhaul, we wanted the building to feel like a microcosm of our city," Trahan Architects founding principal Trey Trahan told Dezeen. "We thought of the design as a series of stacked neighborhoods or 'faubourgs' as we call them, all connected by generous circulation spaces that served them – aka 'the street'." Also important to the renovation was bringing the materiality used for the original facade inside. Both Trahan and studio partner Brad McWhirter told Dezeen that the original innovativeness of Superdome, structurally and materially, was important throughout the redesign process. "The rich material language they worked with, having the exterior skin of anodized aluminum which ages beautifully over time, along with its elegant form, made us see it as a sculpture that needed to be expressed both inside and out," said McWhirter. "Before, you never got to experience the shape of the building from the interior – they were treated as two completely separate elements." This move is most obvious in the atriums placed at three corners of the structure, which are the most visually apparent interventions. Here, express elevators move up through the voids. The voids have walls clad with anodized aluminium rods and are crossed by thick metal-clad beams that reveal the structure. Planning for resiliency and bringing the structure to compliance with codes around ventilation and accessibility were also important in the redesign process. Trahan Architects worked with engineering firm Thornton Tomasetti to ensure the building could stand up to high winds – it was during this 3D modelling process that the voids covered by the circulation ramps were discovered, which led to their removal. "You would walk up the ramps from floor to floor with an eight-foot (2.4 metre) ceiling height, to small, cramped concourses until you finally got to your seat for some relief," said Trahan. "With the model, we could see the full breadth of the voids and wasted space that could be more useful for the public, building operations, and for incorporating new mechanical systems." These processes all happened while keeping the stadium in use for the American football season. The studio also had to install accessible decks for movement-impaired people, all while making sure that new mechanical systems did not interfere too much with the aesthetic of the exterior. "This, and from a design standpoint, implementing universal accessibility within a 50-year-old building was very difficult. We had to make up for a lot of lost time to bring the building up to today's standards and go the extra mile to prepare for the future," added Trahan. These future-looking improvements included the aforementioned facade replacement and the inclusion of new emergency generators, as the loss of power during Hurricane Katrina created harsh conditions for those sheltering inside. The architects also lauded some of the original features of the structure, which were maintained. "For instance, the 'gutter tubs' of the roof, hidden behind the lip of the facade at the top, manage stormwater such that draining a 10-acre roof doesn't overload the city's system," said McWhirter. "This continues to work very well to this day – even with the incredible amount of development that's occurred since the building first opened." According to the studio, the total of the renovations since 2005 will drastically extend the lifespan of the stadium. "This comprehensive renovation is expected to extend the building's lifespan by 25 years, allowing future generations to enjoy the same sense of community and excitement the New Orleans landmark has fostered for nearly half a century," it said. Other restorations of iconic buildings include Foster + Partners' interior overhaul of the Transamerica Pyramid skyscraper in San Francisco. Meanwhile, natural disasters worsened by climate change continue to be an impetus to design buildings better. In light of that, Dezeen launched a series last year called Designing for Disaster to highlight the different problems and solutions architects and designers face in the face of extreme weather events. The photography is by Tim Hursley.
stadium
Sep 13, 2024
Dezeen
Gmp Architekten Set To "Reinvent" Roof Of Roger Taillibert’S Olympic Stadium In Montreal
German architecture studio GMP Architekten has been selected to design a replacement for the roof of Roger Taillibert’s "controversial" Olympic stadium in Montreal for the studio's first North American project. The ageing Olympic Stadium was designed by French architect Roger Taillibert for the 1976 Montreal Summer Games and features a now-iconic angled tower that suspends the roof from a series of cables. The structure consists of a ring of cantilevered concrete beams that wrap around the entire building and encircle a central oval-shaped roof. The central portion was originally designed to retract, but proved to be "problematic" and was replaced with a non-retractable version in 1999, which has also required a number of costly repairs throughout the years. A team including GMP Architekten (GMP) and engineering firm SBP won a 2018 competition issued by Quebec officials to "reimagine" the stadium into a multifunctional arena, which included renovating the roof, improving acoustics and introducing increased natural light into the interior. Engineering firm WSP and the consortium's design team ACDF, Lemay and Walter P. Moore were also selected to work on the project. "In their first North American project, the global architecture firm GMP has announced a major new project in Montreal," said the team. "The reinvention and re-engineering of the controversial and expressive Olympic Stadium created for the 1976 summer games." According to the team, GMP will largely "follow the original supporting structure principle" of the stadium's design, with a focus on introducing natural light to the interior. "In addition to a flexible integration of event technology and considerable improvements to the acoustics within, our design focuses above all on natural lighting of the stadium bowl," said GMP executive partner Stephan Schütz. "The suspended roof structure follows the curves of the sculptural concrete ribs and is set off from the historic building by glazing all the way around." The current iteration of the roof consists of peaks of polytetrafluoroethylene (PTFE) – covered fibreglass resting on a steel cable structure. GMP's design sees the addition of glazing around a flattened, opaque centre. "To withstand the harsh Canadian winters, the upper covering is opaque, while the roof is fitted with a translucent membrane on the underside, allowing for varied scenarios using indirect lighting or projection, or both," said the studio. It will also be non-retractable, but only partially suspended by a cable system. A lightweight steel frame will be implemented to take weight off the surrounding concrete beams, replacing a previous concrete "ring". "[The roof] has a new inner roof structure composed of a steel truss dome, and it is partly suspended from the tower, partly supported by the stadium ribs, allowing it to elegantly 'hover' above the existing venue," said SBP. "To keep the reference to the original roof, the deck is waterproofed with a white PVC layer. On the inside, the structure is cladded with a glass/PTFE liner which is indirectly illuminated." Slated for completion in 2028, GMP says it plans to "deeply appreciate" Taillibert's original creation. "At GMP we believe a basic prerequisite of successful projects like this is to deeply appreciate what others created in the past," GMP executive partner Stephan Schütz told Dezeen. "This means both a rejection of any throwaway mentality whatsoever and an orientation toward protecting the climate and resources in line with the ever-present sustainability requirements." The studio is known for its work on stadiums, including its recent remodelling of the Santiago Bernabéu stadium for Real Madrid and the completion of a stadium on a Chinese island with aluminium louvres and a membrane roof shade. The images are by GMP Architekten unless otherwise stated
stadium
Aug 30, 2024
Dezeen
Renderings Released Of New White Sox South Loop Stadium Proposal
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stadium
Aug 09, 2024
Dezeen
Latest On Progressive Field Renovations
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stadium
Aug 09, 2024
Dezeen
Reds And Braves To Play Historic Game At Bristol Motor Speedway
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stadium
Aug 09, 2024
Dezeen
New Videoboard At Comerica Park Coming For 2024
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stadium
Aug 09, 2024
Dezeen
A Look Inside T-Mobile Park, Where Preparation For 2024 Winter Classic Is Running Smoothly
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stadium
Aug 09, 2024
Dezeen
Rays’ New Ballpark Approved By St. Petersburg City Council
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stadium
Aug 09, 2024