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Design Boom
Chamfered Edges And Voids Shape Age 360 Residential Tower As Vertical Landmark In BrazilWith a striking geometric form rising 124 meters tall, the AGE 360 residential tower introduces a vertical landmark in Curitaba, Brazil. The project has been developed by Sao Paulo-based ARCHITECTS OFFICE to resolve residential needs as well as urban visibility. As it responds to both regulatory constraints and the site’s proximity to Barigui Park, the structure is visible from various points of the expanding, low-density Ecovill neighborhood,
‘The structural exoskeleton’s uniformity was crucial in maintaining the tower’s visual identity,’ shares Greg Bousquet, the studio’s founding architect. ‘In the end, we found that the contrast between mineral and vegetal elements created a striking dialogue, reinforcing the concept of integrating the building with nature.’ The design process involved 48 volumetric studies to achieve a configuration that addresses human comfort while maximizing views and complying with zoning regulations. The result is a distinct silhouette defined by chamfered edges and punctuated with intricate voids supported by a concrete exoskeleton.
all images by Joana França
AGE 360’s structural exoskeleton eliminates the need for internal columns and enables flexible apartment layouts and unobstructed views from within, strengthening the relationship between residents, space, and context. It also contributes to the residential tower’s vertical emphasis and lends it a sense of lightness despite its height, reducing structural weight. Additionally, ARCHITECTS OFFICE prioritizes biophilic design, integrating built-in planters on the terraces to create a continuous vertical garden and introduce greenery into the structure. The plant species, selected by the Brazil-based studio for their wind resistance and low maintenance, soften the building’s rigid materiality and introduce an organic contrast between the raw concrete and lush vegetation and foster connection with nature across various facets.
Inside, the AGE 360 tower’s communal spaces deviate from traditional configurations for enhanced wellness and more integrated urban living. Amenities are instead positioned at the building’s core, with the spa, pool, and elevated gardens enjoying panoramic city views from an open vantage point. Greg Bousquet envisioned these areas as ‘democratic gathering spaces’ for all residents. ‘Beyond enhancing sociability, this decision reinforces residents’ well-being by placing them at the center of the experience. It also aligns with the project’s ‘wellness’ concept,’ the architect adds.
ARCHITECTS OFFICE completes AGE 360
a 124-meter-tall residential tower in Brazil
the design concept resolves residential needs as well as urban visibilityskyscraper
Feb 13, 2025
Design Boom
Limited-Edition Creations Take Center Stage At Maison&Objet’S Curatio Installation 2025In January 2025, the ‘Curatio’ space made its debut at Maison&Objet, offering an exclusive immersion into the world of collectible design. Curated and staged by renowned German designer and interior architect Thomas Haarmann, this carefully crafted installation brought together a selection of limited-edition objects produced across Europe. With around fifteen creators contributing to the showcase, each piece combines unique artistic depth with high-end craftsmanship.
‘Collectible design embodies the artistic dimension of decor, where design and aesthetics merge to create a singular and unforgettable sensory experience,’ describes Nathalie Moreno, Market Director at Maison&Objet.
Maison&Objet debuts the ‘Curatio’ installation by Thomas Haarmann | all images © Anne-Emmanuelle Thion, courtesy of Maison&Objet
Thomas Haarmann, the visionary behind ‘Curatio,’ is no stranger to Maison&Objet. Having first attended the event with his boutique Magazyn and later designed stands for prestigious brands, Haarmann returned in January 2025 to curate an exclusive space for collectible design. Known for his ability to harmonize contrasting elements, the architect’s work captivates with thought-provoking combinations of the raw and refined, creating experiences that are visually striking and emotionally engaging.
‘I want to create surprising contrasts between worlds that typically don’t intersect, taking objects out of their usual contexts. I’m crafting a fresh story for them, full of unexpected contrasts: crystal meets raw concrete, modern pieces clash with retro ones. I believe context matters as much as the objects themselves. Professionals often feel overwhelmed by the abundance of choices; they’re looking for ways to tie everything together with a cohesive vision. I help them define a style that’s authentically theirs,’ explains Thomas Haarmann.
sculpture by Verter Turroni
At the heart of the Signature sector, known for presenting one-of-a-kind creations that embody character and individuality, the ‘Curatio’ space redefined how we encounter design by liberating objects from their familiar surroundings, allowing them to be experienced without preconceived ideas. By reimagining the known, it encouraged viewers to see everyday objects through a new lens, inviting deeper connections and interpretations.
MOON Fourty Alabaster A.D.U. STUDIOS and wooden sculpture by Presence Art & Design
Dama vases by Kose and N° 01 by Moss Studioskyscraper
Jan 25, 2025
Design Boom
Interview: Faye Toogood On Womanifesto! As Designer Of The Year 2025 At Maison&ObjetMaison&Objet names Faye Toogood Designer of the Year during its 2025 spring edition, recognizing her multifaceted approach spanning art, craft and fashion. In her WOMANIFESTO! installation, on view at the fair from January 16-20, the British designer presented a deeply personal journey that explores her subconscious, blending surrealism with her signature sculptural forms. Divided into four thematic areas – drawing, sculpture, materials, and landscape – the installation reflects Toogood’s evolving design philosophy, where contrasts of light and dark, nature and artifice, and feminine energy redefine the creative process.
In an exclusive interview with designboom, Faye Toogood guides us through her installation, reflecting on how embracing feminine energy is influencing her work and reshaping the future of design. ‘WOMANIFESTO! is a manifesto for myself, but also for other women designers coming up behind me,’ the designer tells us. ‘I feel that we haven’t been entirely free in the way we’ve been able to work, and I want to address that.’
Maison&Objet recognizes Faye Toogood as Designer of the Year 2025 | all images courtesy of Toogood
As Maison&Objet’s Designer of the Year 2025, Faye Toogood is celebrated at the trade show for her polymorphous career, which has led her studio to become a hub for bold, interdisciplinary work that spans fashion, furniture, craft and fine arts. Her installation, WOMANIFESTO!, presents a surrealist reimagining of her own archive where past collaborations and iconic pieces are revisited and transformed into ephemeral, site-specific artworks.
When discussing the influence of surrealism on her installation, Toogood explains, ‘I approached the theme by playing with surrealism, tapping into that dream-like state. I think this installation is probably the closest I’ve come to a surrealist presentation because it’s an expression of what’s happening in my unconscious mind.’
WOMANIFESTO! by Faye Toogood presents a surrealist reassable of her studio’s archive | image © Celia Spenard-Ko
Stepping into WOMANIFESTO! offers a glimpse into Faye Toogood’s evolving perspective as a designer and artist. The installation is divided into four thematic pillars: drawing, sculpture, materials, and landscape – each representing a crucial element of the Toogood studio’s DNA. Her attention to geometry and form is a defining feature of her designs. However, she pointed out that her fine art background, particularly in painting and drawing, is less known. The combination of handmade expression, which she refers to as the ‘painted hand,’ is her intent to connect people more deeply with objects and design. ‘People are familiar with the sculptural side of my work, but they may be less aware of my fine art background in painting and drawing. I’m now starting to merge the sculpture side with drawing, revealing the painted hand. I believe this is something we need more of, to help us connect to objects and design in a deeper way,’ explains the designer as we enter her installation WOMANIFESTO!
drawings help the designer foster a deeper connection to design | image © Celia Spenard-Ko
The sculpture section features collaborative pieces the designer has created with brands such as Tacchini, Poltrona Frau, and Hem. Entirely designed in black, the space reflects Toogood’s ongoing exploration of light and dark, masculine and feminine, natural and crafted. This tension has defined a pivotal shift in her career, marked by the Roly Poly chair, where she moved from rigid, angular designs to softer forms and textures, which became more closely aligned with her identity as a female designer. The black walls symbolize a pause in her journey, signaling a new era for both her creative expression and the design world.
‘You need darkness to understand light. It’s a play between contrasts. I think there’s a resurgence of black, actually, because we’re approaching a sort of full stop. We’re at the end of one era and about to enter another. Black feels like a fitting punctuation, a moment of pause. It’s reminiscent of the early 20th-century modernists, who often used black as a way to signal a fresh start – a kind of “enough, now we begin again,”’ she says, explaining her color choice and reflecting on the shift in her design language. ‘Roly Poly was the beginning of me embracing my identity as a female designer more openly. From that point on, it’s been a series of moments that have brought me to where I am now. I feel more comfortable and free than ever to express everything that’s happening in my head.’
the sculpture area features Toogood’s iconic designs reimagined in all-black materials | image © Celia Spenard-Ko
Moving on to the next space, Toogood shares, ‘The materials room represents the heart of the studio. Everything we do is centered on materials, and the self-portraits I’ve created here reflect that. I’ve worked with different manufacturers and craftspeople to bring these pieces to life, and they’re a tribute to the importance of materials in my work.’
For the designer, materials are a playground, offering endless possibilities for assembling, collaging, and experimenting. Alongside the sculptural self-portraits, she showcased smaller maquettes – early prototypes for her clothing designs – and items from her fashion archive, linking her exploration of materials to her broader creative output. This section of the installation encapsulates her belief that materials are the foundation for innovation across all her disciplines, from furniture to fashion.
Toogood uses materials as a creative playground, exploring form and substance | image © Celia Spenard-Ko
The final section of the installation, centered on landscape, captures the designer’s deep connection to nature and its influence on her design philosophy. Featuring a forest of hand-made, tree-sized cardboard sunflowers, it evokes the elemental energy of the natural world that has long informed her creative process. This room, as she explains, is a response to the growing disconnect from nature, an homage to the earth in the face of advancing technology and AI.
‘The landscape room focuses on nature and the importance of reconnecting with the earth. I believe that with AI and technology advancing, there’s a risk of losing our connection to nature. My palette for this room is inspired by the landscape, and it serves as an homage to the natural world,’ ends Faye Toogood our exclusive tour around WOMANIFESTO!skyscraper
Jan 25, 2025
Design Boom
Twisting Office Tower By Ini Design Studio Rises Over Tech City In IndiaINI Design Studio presents Shivalik Curv, a 32-story office tower located in GIFT City, Ahmedabad, designed to provide 47,000 sqm of Grade-A office space. Its twisting form, leaning 25 meters over a height of 120 meters, incorporates a 38-degree rotational shift on each level, offering dynamic views of the cityscape. For the tower’s design, the architects were inspired by the fluidity of human movement, establishing a distinct presence within the urban skyline.
The building includes a green terrace on the third level, a 107-meter atrium to maximize natural light, and a rooftop restaurant with panoramic views. These elements are integrated to create an interactive user-centered workspace environment. Sustainable features such as energy-efficient cooling, solar panels, and rainwater harvesting align the design with GIFT City’s focus on eco-conscious urban development, setting an example for sustainable architecture.
renders by Studio Flamebirds, Skill House | all images courtesy of INI Design Studio
The design of Shivalik Curv reflects innovation and modernity within Gujarat International Finance Tech City, India’s first operational Greenfield smart city. The client envisioned a high-performance office tower that would contribute a unique identity to the area. Its rotational geometry, with each floor shifting by one degree, symbolizes movement and progress, resonating with the evolving finance and technology sectors. The curved lines of the building integrate into the surrounding public spaces, promoting collaboration and interaction. The tower’s distinct visual identity is enhanced by landscaped areas and artistic sculptures, fostering a cohesive relationship between architecture and its urban context. Its dynamic form makes Shivalik Curv a landmark for GIFT City, aligning with the city’s aspirations for innovative and sustainable urban growth.
The architectural concept by INI Design Studio combines artistry with functional design principles. The semicircular site and rotational form create a fluid silhouette that reflects movement. Each floor rotates by 38 degrees from the base to the top, generating panoramic views of GIFT City. The facade design emphasizes this rotation while allowing natural light to penetrate office spaces, reducing energy dependence and improving occupant comfort. The flexible floor plans accommodate various tenant needs, from startups to established firms, enabling custom configurations. Curved lines from the building extend into the public plaza and driveway, unifying the design language. A focal sculpture at the driveway reinforces the sense of motion and continuity, complementing the tower’s contemporary design.
the twisting form of Shivalik Curv leans 25 meters, creating a striking skyline presence
The building incorporates a green terrace on the third floor, connecting to a 107-meter atrium that allows daylight to filter into the interior. The rooftop terrace includes a restaurant and amenities, providing views of the GIFT City skyline and the Sabarmati River. Despite its complex geometry, the torsional design is supported by a straightforward structural system with a centralized service core and an exoskeleton frame.
Shivalik Curv integrates environmentally responsive design in line with GIFT City’s sustainability goals. The building employs an energy-efficient cooling system to minimize operational energy use and features solar panels to generate renewable energy. Rainwater harvesting systems reduce water consumption, while the design emphasizes natural daylighting to lower reliance on artificial lighting. The green terrace enhances thermal performance while serving as a space for interaction, contributing to the building’s overall energy efficiency. These interventions ensure a reduced environmental footprint, positioning Shivalik Curv as a model for sustainable office architecture.
each floor of Shivalik Curv rotates by 38 degrees, offering dynamic cityscape views
the facade design emphasizes rotation while maximizing daylight penetration
inspired by human movement, Shivalik Curv reflects fluidity in its design
Shivalik Curv aims to be a model for sustainable office architecture in smart city development
Shivalik Curv’s curved lines extend into public spaces, promoting urban interactionskyscraper
Jan 25, 2025
Design Boom
Valerio Olgiati Brings Towering Forms And Garden Ziggurat To Tirana, AlbaniaIn Tirana, Albania, Swiss architect Valerio Olgiati plans to unveil Rruga Adem Jashari, a mixed-use development that seeks to integrate urban living with its surrounding landscape. Positioned at the edge of the city grid and adjacent to a park, the project introduces three distinctive red concrete towers and a white ziggurat centerpiece, combining residential, hospitality, and retail spaces. Construction is expected to start in the fall of 2025.
the white ziggurat centerpiece | all images © Archive Olgiati
Situated at the boundary between Tirana’s urban core and a neighboring park, the Rruga Adem Jashari project capitalizes on its transitional location. The design by Valerio Olgiati features an open plaza at its base that extends across the street to connect the city grid with the natural landscape. Pine trees line the plaza, softening the boundary and creating a visual and physical link between the two environments.
The Swiss architect’s concept draws from the idea of stacking blocks to create monumental structures. Three towers rise from a shared red concrete base, their facades dominated by exposed structural pillars that highlight the forces at play within the building. These pillars follow a precise logic, giving the towers a distinct, sculptural appearance as they align with the urban grid.
the towers’ red pigmented concrete gives them an earthy tone
Between the towers, a stepped ziggurat provides a contrasting form and color. Constructed in white concrete, the ziggurat serves as a centerpiece for the development, featuring terraces planted with pine trees to create a layered, garden-like appearance. Beyond its visual impact, it houses retail spaces and connects the plaza with the underground levels. The towers’ red pigmented concrete gives them an earthy tone that appears to emerge naturally from the site. In contrast, the white ziggurat introduces a conceptual element that stands apart, reflecting a more abstract and sculptural intention within the development.
The towers are designed with flexibility in mind. The structural layout allows for adaptable floor plans, accommodating a range of uses for apartments and hotel suites. Meanwhile, the ziggurat includes retail spaces that extend underground, maximizing the use of the site for both public and private functions.
the project introduces three distinctive red concrete towersskyscraper
Jan 21, 2025
Design Boom
Llum Bcn Transforms Barcelona Into Luminous Canvas Of Light, Art And Technology For Ise 2025A radiant celebration of art and technology awaits at Integrated Systems Europe (ISE) 2025 in Barcelona. Taking place from February 4-7, 2025, at the Fira de Barcelona Gran Via, ISE promises not only to showcase the latest in audiovisual innovation but also to preview the city’s annual light arts festival, Llum BCN (February 7-9). For the fourth consecutive year, this collaboration brings together the best of technology and artistic innovation, setting the stage for unforgettable experiences. With artists, tech pioneers, and global visitors converging, ISE 2025 becomes a portal to a future where art and technology illuminate new possibilities.
designboom readers can register for ISE 2025 for free using the code ‘designboom’ here!
Integrated Systems Europe (ISE) and Llum BCN announce their continued collaboration for the fourth consecutive year | all images courtesy of Integrated Systems Europe
Integrated Systems Europe (ISE), the leading global trade show for audiovisual and systems integration, partners with Llum BCN, Barcelona’s renowned Light Arts Festival, to offer a captivating mix of creativity and cutting-edge technology. Organized by AVIXA and CEDIA, ISE is a hub for innovation, education, and industry excellence. Meanwhile, Llum BCN, curated by Barcelona City Council, transforms the Poblenou district into a spectacular canvas of light from February 7-9, 2025. The partnership brings an exclusive sneak peek of Llum BCN to ISE attendees, highlighting the festival’s transformative installations and the seamless fusion of art with audiovisual technology.
Maria Güell Ordis, Llum’s Art Director, adds, ‘Our goal is to transform the urban landscape into a luminous canvas of artistic creativity and technical and audio-visual innovation that both delights and challenges the audience. Each installation is a unique expression of imagination and innovation, pushing the boundaries of what light and art, together with the help of technology, can achieve.’
the festival is held from February 4-7 at Fira de Barcelona Gran Vía with Llum BCN running from February 7-9
A highlight of this year’s ISE is French artist Alice Labourel, whose work epitomizes the synergy of art and innovation. Known for her interdisciplinary approach, Labourel combines architecture, ballet, and mythology in her creations. On February 6, 2025, at 18:30, she will unveil ‘A Tiny Bead of Pure Life’ on the South Access Welcome Screen at Fira de Barcelona Gran Via. This 15-minute animated journey explores surreal landscapes inspired by Virginia Woolf’s ‘The Death of the Moth,’ inviting viewers to reflect on life’s intricate and often overlooked beauty. With its mesmerizing pace and detailed imagery, the piece serves as a profound prelude to the wonders of Llum BCN 25.
Featuring works by 15 professional artists, including renowned photographer Joan Fontcuberta and filmmaker Isaki Lacuesta, alongside creations from 17 universities, the festival merges contemporary art, design, and technology. The 2025 edition promises to captivate over 240,000 visitors, offering an unparalleled exploration of how light can redefine urban spaces. Art Director Maria Güell Ordis emphasizes the festival’s mission: to challenge and delight audiences while showcasing the limitless potential of light as a medium for creative expression.
French Art Director and Artist, Alice Labourel, showcases her extraordinary piece, ‘A Tiny Bead of Pure Life’
Mike Blackman, Managing Director of ISE, underscores this partnership as a testament to the transformative power of art and technology. By hosting the preview of Llum BCN 25, ISE not only highlights its role as a global leader in audiovisual innovation but also deepens its connection to Barcelona’s cultural fabric. The festival’s installations, ranging from intimate reflections on nature to grand architectural interventions, showcase how technology can amplify artistic narratives.
‘The collaboration between Llum BCN and Integrated Systems Europe represents a thrilling union of creativity and technology, showcasing how art and innovation can seamlessly intersect. Llum BCN, Barcelona’s renowned Light Arts Festival, transforms the urban landscape into a mesmerising spectacle of artistic ingenuity. Meanwhile, as the world’s premier AV and systems integration tech show, ISE gathers trailblazing technology and industry visionaries all under one roof. Together, we are building a bridge that connects the art and AV communities, pushing the boundaries of possibility and creating unforgettable shared experiences. I am especially excited to welcome Alice Labourel and her extraordinary artwork to ISE 2025,’ mentions Mike Blackman.
‘our goal is to transform the urban landscape into a luminous canvas of artistic creativity,’ says Maria Güell Ordis, Llum’s Art Director (graphics by Vasava studio)
project info:
name: Llum BCN | @llumbcn location: Barcelona, Spain dates: 07-09 February, 2025skyscraper
Jan 21, 2025
Design Boom
Italian Digital Artist Quayola Headlines Ise 2025 With Projection Mapping On Casa BatllóThe transformative power of audiovisual technology is taking center stage at Integrated Systems Europe (ISE) 2025, as renowned Italian digital artist Quayola brings his groundbreaking creative vision to Barcelona. After previous mappings by Refik Anadol in 2023 and Sofia Crespo in 2024, Casa Batlló has once again invited a renowned artist to transform Gaudí’s iconic façade into a canvas for an exclusive work inspired by the architect’s creative vision. On February 05, Quayola, celebrates for his pioneering fusion of art and technology, captivated audiences with a trio of remarkable contributions, including a stunning projection mapping on Casa Batlló, a keynote presentation, and an exclusive showcase performance. From February 4–7, the city becomes the epicenter of cutting-edge AV technology, uniting creativity and ground-breaking ideas in a way that highlights the limitless possibilities of digital artistry.
Readers of designboom can register for free using the code ‘designboom’ here!
multimedia artist Quayola to Enhance ISE 2025 with Casa Batlló Projection Mapping, Keynote, and Exclusive Showcase Performance | all images courtesy of Integrated Systems Europe
Integrated Systems Europe (ISE) is the premier global event for the audiovisual (AV) and systems integration industries. Held annually, it serves as a hub for showcasing the latest advancements in technology and creative applications. The 2025 edition unfolds at Fira de Barcelona Gran Via, welcoming professionals and enthusiasts to explore transformative innovations across both residential and commercial sectors. Among its standout attractions, ISE’s collaboration with Casa Batlló promises to mesmerize visitors with a projection mapping spectacle, continuing the legacy of remarkable artistic partnerships with global talents.
Quayola, ISE 2025’s Creative Keynote speaker, is acclaimed for his mastery of blending the physical and digital realms. His career highlights include exhibitions at prestigious venues such as the V&A Museum in London, the National Art Center in Tokyo, and Palais de Tokyo in Paris. At ISE, he delved into his creative journey behind the ‘Arborescent’ projection mapping on Casa Batlló’s façade. Being presented on February 5 at 15:30, the keynote provides insights into his artistic process, including how he reimagines natural forms and explores the intersection of art, robotics, and technology.
Quayola is invited by Casa Batlló to create a unique mapping on the façade of the iconic building
The centerpiece of Quayola’s ISE 2025 contributions is the ‘Arborescent’ projection mapping on Casa Batlló’s façade, debuted on February 1 and 2. This exclusive work, inspired by Antoni Gaudí’s visionary architecture, uses cutting-edge simulations to digitally reconstruct and reimagine tree growth systems. ‘Casa Batlló’s façade becomes the physical/digital space upon which simulations take root,’ says Quayola, describing how botanical geometries intertwine with architectural elements to create a surreal experience.
In addition to his keynote and Casa Batlló project, Quayola presents ‘Promenade’ on February 4. This showcase performance takes place on the Fira South Access Welcome Screen, an award-winning digital canvas. Designed to engage both ISE attendees and the citizens of Barcelona, the performance underscores Quayola’s ability to translate natural phenomena into mesmerizing digital experiences. As part of ISE’s commitment to innovation, the showcase further highlights how AV technology can inspire new realms of creative expression.
Quayola’s work is a testament to the transformative power of audiovisual (AV) technology in the creative arts
ISE 2025 promises an unparalleled opportunity to witness the convergence of technology and artistry. Quayola’s contributions—spanning projection mapping, keynote insights, and live performances—highlight the event’s role as a catalyst for innovation in the AV and systems integration industries. As ISE continues to set the standard for creative and technological excellence, attendees can look forward to a week of inspiring presentations, immersive experiences, and groundbreaking showcases.
Mike Blackman, Managing Director of Integrated Systems Events, emphasizes the significance of Quayola’s participation: ‘His keynote provides invaluable insights into the creative process behind his spectacular digital artworks. Both performances showcase AV technology in all its beauty, helping to connect the city, its inhabitants, and visitors to the magic of our AV community.’ Quayola’s participation embodies ISE’s dedication to exploring the synergy between technology and creativity, offering a glimpse into how innovations in AV can shape the future of art and design.
the artist’s keynote speech touches on explorations in sculptures, robotics, and other artistic endeavoursskyscraper
Jan 21, 2025
Design Boom
Selgascano Plans Kaleidoscopic 'Rozafa Hotel Tower' As Vivid Icon For Shkodra, AlbaniaSpanish architecture studio Selgascano has designed the Rozafa Hotel Tower, a contemporary addition to Shkodra, Albania’s rich architectural tapestry. Shkodra, known for its cultural and historical significance, features a mix of Illyrian, Roman, Ottoman, Venetian, and neoclassical architectural influences. Selgascano’s approach respects this diversity, aiming to integrate the new tower into the city’s urban fabric while celebrating its heritage.
Strategically located, the hotel aspires to become an architectural icon that adds playful color and geometries to Shkodra’s skyline while encouraging economic and tourism development. The design prioritizes harmony with its surroundings by ensuring that the tower is perceived on a human scale. This approach aims to make the building feel like an integral part of the community, encouraging locals to embrace it as their own.
visualizations © Drawfield
Designing its Rozafa Hotel Tower, the architects at Selgascano took inspiration from the site, with three primary facades oriented toward the region’s most notable features: the Albanian Alps, Rozafa Castle with the Drin and Buna rivers, and Shkodra Lake. Each lobe of the building is designed to maximize views in its direction, allowing residents and visitors to choose between Lakeview, Mountainview, or Riverview apartments.
The tower’s fragmented geometry creates dynamic facades that respond to the surrounding landscape while visually lightening the structure. This design reduces the perception of the building as a monolithic mass and enhances its integration into the urban and natural context. The varying facades also allow natural light to penetrate the interiors and create a shifting visual identity throughout the day.
Rozafa Hotel Tower by Selgascano will enrich Shkodra’s urban and cultural landscape
The triangular plan ensures sunlight reaches the east, south, and west facades, while the building’s deep terraces provide shade and protection from Shkodra’s Mediterranean climate. These terraces, equipped with parasols and railings, extend the functionality of indoor spaces, improving energy efficiency and offering comfortable outdoor areas that connect users to the surrounding environment. Horizontal planes and a variety of wood textures give the tower a natural aesthetic that complements Shkodra’s environment. Yellow, orange, and light green accents on railings and parasols echo the city’s atmosphere and landscapes, enhancing the tower’s visual connection to its setting.
The tower is divided into three distinct sections: commercial spaces occupy the lower levels, residential units dominate the middle floors, and the upper levels house a luxury hotel. This organization minimizes mechanical requirements and ensures programmatic clarity, with dedicated elevators and services for each section. The tower’s lobed geometry creates three vertical crevices that house separate entrances for its commercial, residential, and hotel components. This thoughtful arrangement ensures easy access while maintaining a cohesive urban connection with the existing Rozafa Hotel.
the tower’s design balances iconic architecture with a human-scale approach
The residential units are designed for comfort, with layouts that maximize natural light and panoramic views. Protected terraces extend interior spaces, while wood finishes add warmth to the interiors. Glazed exteriors enhance the connection to the landscape while maintaining privacy and shading. The uppermost levels house a hotel that offers luxurious accommodations and services, including rooftop terraces with gardens, pools, and relaxation areas. These spaces provide guests with sweeping views of Shkodra’s natural and urban landscapes, creating an urban oasis at the tower’s peak.
The ground floors of the tower house commercial spaces, including shops, cafés, and retail outlets, designed to integrate with the surrounding streetscape. Transparent facades connect these areas with the city, fostering a lively urban environment.
three main facades offer views of the Albanian Alps, Rozafa Castle, and Shkodra Lake
dynamic geometries and textured facades enhance lightness and urban integrationskyscraper
Dec 10, 2024
Design Boom
Selgascano + Frpo Plan Kaleidoscopic 'Rozafa Hotel Tower' As Vivid Icon For Shkodra, AlbaniaSpanish architecture studios Selgascano and FRPO has designed the Rozafa Hotel Tower, a contemporary addition to Shkodra, Albania’s rich architectural tapestry. Shkodra, known for its cultural and historical significance, features a mix of Illyrian, Roman, Ottoman, Venetian, and neoclassical architectural influences. Selgascano’s approach respects this diversity, aiming to integrate the new tower into the city’s urban fabric while celebrating its heritage.
Strategically located, the hotel aspires to become an architectural icon that adds playful color and geometries to Shkodra’s skyline while encouraging economic and tourism development. The design prioritizes harmony with its surroundings by ensuring that the tower is perceived on a human scale. This approach aims to make the building feel like an integral part of the community, encouraging locals to embrace it as their own.
visualizations © Drawfield
Designing its Rozafa Hotel Tower, Selgascano and FRPO took inspiration from the site, with three primary facades oriented toward the region’s most notable features: the Albanian Alps, Rozafa Castle with the Drin and Buna rivers, and Shkodra Lake. Each lobe of the building is designed to maximize views in its direction, allowing residents and visitors to choose between Lakeview, Mountainview, or Riverview apartments.
The tower’s fragmented geometry creates dynamic facades that respond to the surrounding landscape while visually lightening the structure. This design reduces the perception of the building as a monolithic mass and enhances its integration into the urban and natural context. The varying facades also allow natural light to penetrate the interiors and create a shifting visual identity throughout the day.
Rozafa Hotel Tower by FRPO + Selgascano will enrich Shkodra’s urban and cultural landscape
The triangular plan ensures sunlight reaches the east, south, and west facades, while the building’s deep terraces provide shade and protection from Shkodra’s Mediterranean climate. These terraces, equipped with parasols and railings, extend the functionality of indoor spaces, improving energy efficiency and offering comfortable outdoor areas that connect users to the surrounding environment. Horizontal planes and a variety of wood textures give the tower a natural aesthetic that complements Shkodra’s environment. Yellow, orange, and light green accents on railings and parasols echo the city’s atmosphere and landscapes, enhancing the tower’s visual connection to its setting.
The tower is divided into three distinct sections: commercial spaces occupy the lower levels, residential units dominate the middle floors, and the upper levels house a luxury hotel. This organization minimizes mechanical requirements and ensures programmatic clarity, with dedicated elevators and services for each section. The tower’s lobed geometry creates three vertical crevices that house separate entrances for its commercial, residential, and hotel components. This thoughtful arrangement ensures easy access while maintaining a cohesive urban connection with the existing Rozafa Hotel.
the tower’s design balances iconic architecture with a human-scale approach
The residential units are designed for comfort, with layouts that maximize natural light and panoramic views. Protected terraces extend interior spaces, while wood finishes add warmth to the interiors. Glazed exteriors enhance the connection to the landscape while maintaining privacy and shading. The uppermost levels house a hotel that offers luxurious accommodations and services, including rooftop terraces with gardens, pools, and relaxation areas. These spaces provide guests with sweeping views of Shkodra’s natural and urban landscapes, creating an urban oasis at the tower’s peak.
The ground floors of the tower house commercial spaces, including shops, cafés, and retail outlets, designed to integrate with the surrounding streetscape. Transparent facades connect these areas with the city, fostering a lively urban environment.
three main facades offer views of the Albanian Alps, Rozafa Castle, and Shkodra Lake
dynamic geometries and textured facades enhance lightness and urban integrationskyscraper
Dec 10, 2024
Design Boom
Singapore Art Week 2025 Returns For Its 13Th Edition With A Feast For The SensesSingapore Art Week (SAW) 2025 is set to electrify the island with its 13th edition, running from January 17 to 26, 2025. Featuring over 130 events, this ten-day visual arts celebration transforms Singapore into a dynamic stage for creativity, collaboration, and community engagement. SAW showcases both local and international talents across galleries, public spaces, and unconventional venues, offering an immersive art experience for all.
View of S.E.A. Focus 2024. Image courtesy of the National Arts Council | all images courtesy of Singapore Art Week
As Southeast Asia’s premier visual arts season, Singapore Art Week has become synonymous with originality and inclusivity in the arts. Organized by the National Arts Council (NAC), SAW continues its tradition of fostering collaboration and community. The 2025 tagline, Art Takes Over, embraces diverse artistic expressions, spanning mediums and disciplines, while creating a platform for emerging voices and seasoned creatives.
Highlights include marquee events like ‘ART SG’, ‘S.E.A. Focus’, and ‘Light to Night,’ as well as the highly anticipated return of the Singapore Pavilion’s ‘Seeing Forest’ by Robert Zhao Renhui from the Biennale Arte 2024 in Venice. With free entry to many exhibitions, public art performances, and family-friendly activities, SAW 2025 ensures that art remains accessible to all.
‘Seeing Forest’ by Robert Zhao Renhui at Singapore Art Museum
The festivities kick off at Tanjong Pagar Distripark with ‘Yee I-Lann: Mansau Ansau,’ a poignant exploration of Southeast Asian indigenous narratives. Also during SAW, visitors are granted free access to many SAM exhibitions including ‘Seeing Forest,’ an immersive commentary on ecology and Singapore’s environmental histories. Complementing these exhibitions are the Sonic Sessions both SAW weekends (January 17-18, and 24-25), for an eclectic lineup of performances with acts like Subsonic Eye, Bakers In Space, Pleasantry and more.
For those seeking the unconventional, the ‘Con-Temporary Art’ travelling gallery offers a whimsical miniature white cube complete with tiny art displays, inviting audiences to view art in unexpected spaces. Meanwhile, the ‘SATS Experiential Center’ at The Arts House Annex blends culinary creativity with digital art in ‘DIGikat’ by Yang Derong, making it a must-visit destination for those who crave multisensory experiences.
Artwork by Arrvin Raj, part of travelling gallery ‘Con_Temporary Art’
‘Light to Night: Do You See Me?’ returns to illuminate the Civic District with a blend of thought-provoking art installations and mesmerizing light projections. This year’s theme invites visitors to reflect on visibility and perception, resonating deeply with Singapore’s ongoing celebration of its 60th anniversary. Other displays include the specially curated ‘Spectra’ light show at Marina Bay Sands, which integrates cutting-edge visuals, soundscapes, and water displays. Meanwhile, the Lewin Terrace in Fort Canning Park transforms into an 11th-century speculative fiction realm with ‘Before and After the Unknown,’ a multimedia exhibition by Mark Chua and Lam Li Shuen. Blending expanded cinema, video games, and sculptural art, the project reimagines Singapore’s past, merging botanical and historical fragments into a fantastical narrative.
Light to Night Singapore | image © National Gallery Singapore
As part of SAW, the National Gallery Singapore (NGS) honors the life and legacy of Kim Lim, a Singapore-born sculptor and printmaker, with the retrospective ‘Kim Lim: The Space Between.’ Running until February 2, 2025, this major exhibition features over 150 works, making it the most comprehensive showcase of Lim’s career. Her art reflects a distinctive Minimalist approach influenced by material cultures encountered during her extensive travels. The retrospective highlights key sculptures, prints, maquettes, and never-before-seen photographs, offering a profound exploration of her philosophy and her resistance to conventional identity frameworks. Kim Lim’s masterful balance of space, light, and rhythm underscores her enduring influence and the depth of her artistic vision.
‘Kim Lim: The Space Between.’
On the second weekend, the focus shifts to Gillman Barracks with ‘Techno Diversions: Nothing has to be the way it is’ by Nanyang Technological University (NTU) Centre for Contemporary Art Singapore. This exploration of technology and humanity culminates in ‘Art After Dark,’ two vibrant nights (January 24-25) of live music, drinks, and creativity featuring a line-up curated by New Mongrels ranging from hip hop and rock to electronic and R&B – with acts such as nkei, Bellied Star and rhyu.
The ‘Pierre Lorinet Collection: Space at New Bahru’ explores the multifaceted concept of space, featuring an exclusive glimpse of works by Ugo Rondinone and Tracey Emin from the private collection of Pierre Lorinet. Highlights include Danh Vo’s recreation of the Statue of Liberty fragment and Sterling Ruby’s Thermohaline, which redefine the relationship between environment and memory.
Liz Deschenes, Gallery 4.1.1 (version 2) #2 | image © The Pierre Lorinet Collection: Space
Further, Affective Architecture at the Blackbox of 42 Waterloo Street explores how digital realms shape human emotion and perception. This immersive exhibition by new media artists such as Ong Kian Peng and Debbie Ding leverages virtual reality and expanded cinema to investigate themes of history, technology, and ecology, establishing an intricate web of interconnected narratives.
Other highlights of SAW include ‘Monet Inside,’ a media art exhibition that reinterprets the cherished masterpieces of Claude Monet, the painter of light, through a modern lens, accompanied by music. From his beginnings as an Impressionist in Paris to the grand saga of his Water Lilies series in Giverny, the exhibition showcases the radiant and passionate journey of the artist, who found glimmers of light even in the most challenging moments of his life.skyscraper
Dec 10, 2024Design Boom
After Years On Hold, 'The Greenwich By Rafael Viñoly' Resumes Construction In New YorkIn March 2019, a luxury residential tower designed by the late architect Rafael Viñoly had topped out at 125 Greenwich Street in New York City. Since then, the project had been been temporarily paused and has towered, incomplete, amidst the skyline of lower Manhattan. Now, the team has announced that construction has resumed. In celebration of this news, and in honor of its late designer, the skyscraper has received a new name: The Greenwich by Rafael Viñoly. Once it reaches completion, expected in 2024, it will represent one of Viñoly’s final and most remarkable projects for the city — joining his famous ultra-skinny supertall at 432 Park Avenue.
Román Viñoly, son of Rafael Viñoly and Director of Rafael Viñoly Architects comments: ‘My father loved people. He was endlessly curious about how they live their lives and how the spaces he designed for them could contribute to their sense of well-being. The Greenwich is designed to elevate the human experience in a building that celebrates its unique location in the greatest city in the world.’
visualization © Michael Young
The Greenwich by Rafael Viñoly is an 88-story tower at 125 Greenwich Street that will soon redefine the ever-changing skyline of downtown Manhattan. The project is a collaborative effort involving development partners Fortress Investment Group LLC, Bizzi & Partners, and Bilgili. It stands as a tribute to the legacy of its designer, one of the world’s most renowned architects, who had passed in March 2023.
‘As we work to complete construction on The Greenwich by Rafael Viñoly, we are thrilled to be writing an exciting new chapter for this building, which will soon welcome buyers as we launch sales early next year,’ says Davide Bizzi, CEO, Bizzi & Partners. ‘The combination of thoughtfully designed residences, curated amenities, and its premiere location is an attractive offering for discerning buyers and we are thrilled to be working with Douglas Elliman Development Marketing on this launch.’
visualization © Evan Joseph
Inside The Greenwich by Rafael Viñoly, residents will experience the architect’s vision brought to life by critically acclaimed interiors firm MAWD. The architecture was originally envisioned to be defined by its structural elegance, standing slender and tall amidst its exceptional surroundings. This vision led to the creation of a unique structural concept — an exposed concrete column that runs the entire height of the building, lending it an identity that is recognizable and robust. Complementing this strong core is a curved glass facade that adds a contrasting sense of lightness.
The Greenwich by Rafael Viñoly will introduce 272 luxury residences to the city, ranging from studios to three-bedroom apartments, as well as a suite of penthouse residences. Many of these units will open towards panoramic views of the Hudson River, Statue of Liberty, World Trade Center, and the iconic New York City skyline. Over 27,000 square feet of indoor and outdoor leisure, health, and wellness amenities spread across four floors. Sky-high amenity floors will be located in the tower’s crown, perched over 800 feet over the city. Here, residents will have access to a lap pool, spa, and fitness center, all with views of Manhattan and beyond.
project info:
project title: The Greenwich by Rafael Viñoly | @thegreenwichnyc
architecture: Rafael Viñoly Architects | @rva_ny
location: 125 Greenwich Street, New York, NY
previous coverage: September 2017, March 2019
completion: expected 2024
visualizations: © Michael Young, Evan Josephskyscraper
Nov 03, 2024Design Boom
Zaha Hadid Architects Shares Progress On Central Bank Of Iraq Headquarters In BaghdadConstruction continues on the new 90,000 square-meters headquarters for the Central Bank of Iraq in Baghdad, designed by the late Zaha Hadid alongside Patrick Schumacher back in 2012. Conveying the core values of this national institution – resilience, stability and sustainability – the 170-meter tower is tailored to its very specific conditions within the city. Solid at its base, the bank’s structural facade gradually reduces as the tower rises above the banks of the River Tigris, peeling away in vertical layers to provide external shading to the tower’s double-insulated glazing.
render © Zaha Hadid Architects (ZHA)
Narrow at its base, the Central Bank of Iraq widens in the middle to optimize the layout and increase efficiencies, and then tapers inwards towards the top. The tower’s grand atrium brings natural light to the heart of the building, opening it to the river. The team at ZHA envisioned the powerful structural exoskeleton as framing the facade which is itself composed of an alternating pattern of open and closed elements that visually and conceptually mimic the light reflecting from waves in the river below, reinforcing the dynamism of the design and serving the practical purpose of providing a variety of areas of light and shade within. The exoskeleton gradually opens and reduces as the tower rises skywards, bringing greater lightness and views across the capitol.
the tower spans 170 meters in height | image courtesy ZHA via Instagram
The exoskeleton peels away in vertical layers towards the river, further reinforcing this key contextual relationship with the Tigris. These layers extend the length of the tower and continue into the podium to connect the building’s separate elements and define the security features of the CBI. The exoskeleton’s inherent fluidity is both structural and architectural, wholly consistent with the engineering and that extends through the entire height of the structure. The bank’s podium weaves hard and soft landscaping together and anchors the building within its context; gradually adjusting its scale through of a series of landscaped terraces and gardens to directly engage with surrounding neighbourhood and manage access to the bank. The vertical layers of the tower’s exoskeleton are transformed to the horizontal podium and subtly re-emerge within the landscape.
image courtesy ZHA via Instagram
an alternating pattern of open and closed elements | image courtesy ZHA via Instagram
Central Bank of Iraq entrance | render © Zaha Hadid Architects
render © Zaha Hadid Architects
the Central Bank of Iraq HQ rises over the Tigris River | render © Zaha Hadid Architects
project info:
name: Central Bank of Iraq Headquarters
location: Baghdad, Iraq
architecture: Zaha Hadid Architects (ZHA) | @zahahadidarchitects
ZHA lead architects: Zaha Hadid and Patrick Schumacher
local architects: Dijlah Consulting Architects and Engineers
project director: Jim Heverin
project architect: Victor Orive
project associate: Sara Klomps
project team: Cynthia Du, Danilo Arsic, Electra Mikelides, Fabiano Continanza, Inês Fontoura, Juan Estrada Gomez, Maria Rodero, Ming Cheong, Mohamed Al-Jubori, Muriel Boselli, Osbert So, Peter Irmscher, Rafael Gonzalez, Renee Gao, Sara Criscenti, Thomas Frings project team (DD phase): Ana Cajiao, Andy Summers, Daghan Cam, Danilo Arsic, Electra Mikelides, Fabiano Continanza, Ganesh Nimmala, George King, Inês Fontoura, Lisa Curran, Maria Rodero, Ming Cheong, Mohamed Al-Jubori, Monica Jarpa, Rafael Gonzalez
project team (SD) phase: Ana Cajiao, Andy Summers, Danilo Arsic, Electra Mikelides, Fabiano Continanza, George King, Inês Fontoura, Mohamed Al-Jubori, Rafael Gonzalez, Sophie Davison
concept team: Charles Walker, Danilo Arsic, Fabiano Continanza, Inês Fontoura, Rafael Gonzalez,
Tiago Correia, Victor Orive
project period: 2012 – TBC
total area: 90,000 sqm
height: 170 mskyscraper
Nov 03, 2024